* Belinda Sallin, Director

Images don’t become truly three-dimensional until you add the sounds, the atmosphere and undertones of a location. I was reminded of that again today in Peter Bräker’s studio.

Even the first time I entered HR Giger’s house (actually three connected houses) I had the feeling that it was alive. It is its own microcosm. Peter is injecting this life to the film by adding the sounds I heard or felt there. Cool.

A small part of Peter Bräkers studio

Peter Bräker makes Foleys


Sounddesigner Peter Bräker

Peter Bräker, Sounddesign; Laura Endres, Sound editing and Peter Scherer, Composer